{"id":475,"date":"2019-01-15T19:53:16","date_gmt":"2019-01-15T19:53:16","guid":{"rendered":"https:\/\/fuchs-choreography.de\/?page_id=475"},"modified":"2019-01-15T20:28:10","modified_gmt":"2019-01-15T20:28:10","slug":"american-express","status":"publish","type":"page","link":"https:\/\/fuchs-choreography.de\/en\/american-express\/","title":{"rendered":"American Express"},"content":{"rendered":"\n<p>Ellington\u2018s \u201cThe River\u201d becomes a journey of the soul, in which totem animals meet characters from creation myths. All figures keep their individual language of movement. The resulting friction contributes to the appeal of the picture sequence.<br>Brookmeyer\u2018s three compositions show a small section of Fuchs\u2018 view on the \u201cAmerican Way of Life\u201d. Miss Liberty, abusing her boys as cannon fodder in a large revue, is just as much part of the choreographer\u2019s view of the US as the always forward-looking optimism of young Americans.<\/p>\n\n\n\n<p><strong>Choreography<\/strong> by Steffen Fuchs<br><strong>Music:<\/strong> Duke Ellington and Robert Brookmeyer<br><strong>Stage and costumes:<\/strong> Konstanze Grotkopp<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/3slnFLaAdiU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Ellington\u2018s \u201cThe River\u201d becomes a journey of the soul, in which totem animals meet characters from creation myths. All figures keep their individual language of movement. The resulting friction contributes to the appeal of the picture sequence.Brookmeyer\u2018s three compositions show a small section of Fuchs\u2018 view on the \u201cAmerican Way of Life\u201d. Miss Liberty, abusing her boys as cannon fodder in a large revue, is just as much part of the choreographer\u2019s view of the US as the always forward-looking optimism of young Americans. Choreography by Steffen FuchsMusic: Duke Ellington and Robert BrookmeyerStage and costumes: Konstanze Grotkopp<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-475","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":[],"_links":{"self":[{"href":"https:\/\/fuchs-choreography.de\/en\/wp-json\/wp\/v2\/pages\/475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fuchs-choreography.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fuchs-choreography.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fuchs-choreography.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fuchs-choreography.de\/en\/wp-json\/wp\/v2\/comments?post=475"}],"version-history":[{"count":2,"href":"https:\/\/fuchs-choreography.de\/en\/wp-json\/wp\/v2\/pages\/475\/revisions"}],"predecessor-version":[{"id":532,"href":"https:\/\/fuchs-choreography.de\/en\/wp-json\/wp\/v2\/pages\/475\/revisions\/532"}],"wp:attachment":[{"href":"https:\/\/fuchs-choreography.de\/en\/wp-json\/wp\/v2\/media?parent=475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}